Yseult Digan belongs to this young generation of multidisciplinary artists for which the world is a village and the powerbook a vital organ.

Yseult has always privileged the direct experiment and wandering search in urban territory through video as well as street art and music. She uses the mégapole as her raw material and her play-ground, explores the dead angles and the marginal surfaces of the city to offer a poetic and aesthetic reading of the environment. A journey under the skin of the world.